Tuesday, July 12th, 2011
Dan Rebellato is professor of contemporary theatre at Royal Holloway, University of London, where he teaches on the theatre, philosophy and creative writing degree programmes. He has published Theatre & Globalization, 1956 and All That, Contemporary European Theatre Directors, and numerous articles on contemporary theatre, playwriting, theatre and philosophy. He is also a playwright and his plays and performance texts for stage and radio include Chekhov in Hell, Static, My Life Is a Series of People Saying Goodbye, Mile End, Beachy Head, Cavalry, Outright Terror Bold and Brilliant, and Theatremorphosis.
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Saturday, June 4th, 2011
James Reynolds is a lecturer in drama at Kingston University. His PhD research at Queen Mary, University of London, investigated performance practices in Robert Lepage’s devised theatre. Published work includes a chapter on Howard Barker’s direction of his own plays in Theatre of Catastrophe (Oberon, 2006); articles on Lepage’s work, ‘Acting with Puppets and Objects’, in Performance Research (2007), and ‘Hard Work: Robert Lepage’s Lipsynch and the Pleasures of Responsibility’, in Platform (2008); and an article on the cinematic adaptation of graphic novels, ‘Kill Me Sentiment’, in The Journal of Adaptation in Film and Performance (2009).
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Saturday, June 4th, 2011
Duška Radosavljevi is a lecturer in Drama and Theatre Studies at the University of Kent. She has previously worked at the RSC and as the company dramaturg at the Northern Stage Ensemble. In addition, she has contributed several hundred theatre and dance reviews to The Stage Newspaper and continues to sit on The Stage Awards for Acting Excellence panel at the Edinburgh Festival. Her academic publications involve articles on dramaturgy and adaptation.
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Saturday, June 4th, 2011
Juliet Rufford works on the inter-sections between theatre, architecture and scenography. She is co-convenor of the FIRT/IFTR Theatre Architecture Working Group and a contributor to the Prague Quadrennial of Performance Space and Design (PQ’11 Media Tower). She has published articles, essays and one extended interview on site-specificity, theatre architecture, scenography, fine art installation, performance and the politics of space for journals including Contemporary Theatre Review, the Journal of Architectural Education and Literary London: Studies in the Interdisciplinary Representation of London. She is the author of the short book Theatre & Architecture (Palgrave Macmillan, 2011) and is currently completing a full-length monograph on the theatre projects of Haworth Tompkins Architects.
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